The Great Impersonation
US publication: 1920
Author: E. Phillips Oppenheim
Detective:
Genre: Novel
Plot
summary and comments: Webster's edition of this classic is organized to expose the reader to a maximum number of synonyms and antonyms for difficult and often ambiguous English words that are encountered in other works of literature, conversation, or academic examinations. Extremely rare or idiosyncratic words and expressions are given lower priority in the notes compared to words which are ¿difficult, and often encountered¿ in examinations. Rather than supply a single synonym, many are provided for a variety of meanings, allowing readers to better grasp the ambiguity of the English language, and avoid using the notes as a pure crutch. Having the reader decipher a word's meaning within context serves to improve vocabulary retention and understanding. Each page covers words not already highlighted on previous pages. If a difficult word is not noted on a page, chances are that it has been highlighted on a previous page. A more complete thesaurus is supplied at the end of the book; synonyms and antonyms are extracted from Webster's Online Dictionary.
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::READERS REVIEWS::
An unforgettable novel - Through the years there are always certain books that one never forgets, for whatever reason,and often through the last sixty years I remember "The Great Impersonation" which I read at the age of 15. Not a difficult read, yet it holds its reader until the last page. The intrigue and the characters all fit so well that I feel, though not a classic per se, it is a skillful story not to be ignored by any reader. In fact, I am buying a couple of copies for the newer generation so it can be enjoyed for years to come.
Edwardian drivel - I will concede two things to this novel: The author had me fooled and despite a terrible opening, I wanted to know what happened, but this book doesn't know what it is: not quite a Victorian gothic romance, nor a geopolitical thriller, it was hardly at all informative on the historic events leading up to the Great War, and the baronet was essentially wooden, as if that was enough to fool the English and Germans around him that he was one man or the other. I do not mind reading for light entertainment, but there were too many highly improbable threads, not enough plot, nor full fledged characters facing real moral conflicts. It is worse than modern pulp fiction.
Pre WWI -spy thriller - Terrific book, exciting, suspenseful, and I couldn't tell that it was written at that time. I read a lot of vintage mysteries -- many are good, but obviously done in a style not suited to today's reader. This could easily have been written today, it is suspenseful without being overly melodramatic. I read it straight through, it was that exciting.
And it's free. I'm going to download a lot of his other books as well.
implausible - The story concerns espionage just prior to World War 1. Dominey has led a dissolute life in Africa after possibly killing the unrequited suitor of his wife. He meets a vigoroous and vital German officer who had schooled with him in England and who physically resembles him. The German plots to kill him in the African bush and take his place, return to England, and rise through society to gain sensitive a political position for the upcoming conflict in Europe.
The implausible parts are many: That after only 10-11 years no one can more than barely suspect (voice, face, scars, mannerisms) that there may be an impersonation; that the vindictive mother of Dominey's wife's suitor would spend 10 years with the wife for the sole purpose of keeping her insane; and so on. To tell more would be a spoiler, but common sense rails against some parts of the plot line. During the entire story there are only two issues: 1)will the impersonation hold up? 2)who is the real "Dominey"? The answer to the first question is obvious, though I couldn't believe the impersonation. For the answer to the second, I was hoping for a marvelous ironic twist but it turned out to be almost obvious (note the expression "the mischief" used by Dominey).
This novel was made into a movie 3 times before 1940, and that is not surprising because it reminds me of one of the B-movie suspense melodramas that tickled the fancy of those days - with their stilted cardboard characters. Compared to other impersonation novels like, for example, A Tale of Two Cities with its social comments, etched characterizations, and great action, this novel pales. The concept of impersonation certainly was not original with Oppenheim. Even The Prince and The Pauper had more depth and meaning to it than this book.
The bottom line is this. I read this book because I heard it was one of his best, if not his best. I had read The Grassleyes Mystery and thought it was junk. I was disappointed even in this novel. I realize Oppenheim was popular in his day. Many other writers have had their day and then rightly faded into obscurity. There has to be a reason why my public library has only 3 of his novels and they are "in the storage basement" while Christie, Dickens, Hammett, Marsh, and even lesser writers are on the main book shelves. That does not mean that there are not great authors from the past who deserve to be read more today. In this regard, I would recommend any one of the wonderful detective mysteries of the less-than-prolific Anna Katherine Green.
His Best of Many Intermational Thrillers... -
This is the best of the many novels - over 180 - mostly international spy thriller type novels - which E P Oppenheim wrote from the Edwardian era into the 1940s. British writer Oppenheim was wildly popular - as popular as James Patterson is today. The reading public could not get enough of his books. They are still very good yarns by the man who has been called "The Prince of Storytellers".
In "The Great Impersonation", Oppenheim's plot hinges around two very similar looking gentlemen, one from Britain and the other from Germany. To make matters more challenging, they happen to be related. The reader is kept in suspense. Is the one masquerading as the other in order to undermine the rival nation? Are these suspicions founded or groundless?
International intrigue is the game, and the twist has to do with the protagonist of the story. Then again, perhaps the protagonist is the antagonist? It is up to the reader to try to figure it out.
Of course there is romance! Oppenheim always includes romance. Imagine the poor woman the man comes home to--is she really welcoming her long lost husband, or is it the cousin / enemy / imposter? She has her doubts, as do we. And there are rather shady characters of all kinds to keep the mystery going!
This is a great story, as other reviewers have noted, about possible mistaken identity or shall we say identity theft. How contemporary and timely! Snap it up and read it.
The slapdash reader might want to compare this book with the great works of literature, and that would be a mistake. Although he was British, Oppenheim was NOT a Dickens or Austen; read them if you want that kind of a story. Oppenheim was, however, a good writer who treated his readers to a plot that unfolded deftly, set in sophisticated, glamorous locales. Yes, Oppenheim was a product of his era and nationality-and sometimes those prejudices show through, but knowing that, the reader can proceed without allowing them to become unpleasant intrusions.
This and the others of his books are good for reading on the porch or beach on a lazy day, on a plane or train trip, or if you want to read a chapter before bedtime and actually remember what you read the next day. The storylines are easy to follow, the people have enough characterization to give you a mental picture of them, and now, with the distance of time, the books evoke an entire era.
With the elegant settings and cultured, but idiosyncratic characters, one wonders why some enterprising Hollywood producer has not made a recent film of this book? It would benefit from a "Tea with Mussolini" type cast, score and camerawork. (It was filmed, in the early days of sound, but it deserves a blockbuster treatment).
One of the readers says it reminds one of Agatha Christie. As a matter of fact, as reported by Christie scholars, E P Oppenheim was Miss Christie's chief role model when she began writing.
A friend of F Scott Fitzgerald, P G Wodehouse, and many other luminaries, E P Oppenheim frequented Monte Carlo, in which several of his best tales are set. But no matter the setting, they were always peopled with crowned heads traveling incognito, dubious anarchists, world class financiers, powerful generals, cabaret dancers, card sharps and shady international beauties - all thrown together in cafe society intrigue that hints at the possibility that much of this is...about real people E P knew, thinly veiled as fiction.
Of course, that is exactly what it is!
A note to parents of teens-If your son or daughter has an interest in Harry Potter books you could dangle a few Oppenheims in their direction. They have all the thrills and there is no need to be concerned about gratuitous language or situations. These are just good stories well told.
If you read this one, and like it, find and read my personal favorite "The Prodigals of Monte Carlo" next. It is about a man who has everything, who is given only a few months to live by his Harley Street physician. He asks his three best friends, leaders in various professions, what they would do, given such a death sentence-and then acts on some of their suggestions. Intelligent indulgence and altruism meet in a story that has Oppenheim's usual mix of romance and intrigue.
If you find this review helpful, please take a look at some of my other reviews ranging from fiction, biography, history and religion to art and architecture. Happy reading!
::AMAZON REVIEWS::
An unforgettable novelThrough the years there are always certain books that one never forgets, for whatever reason,and often through the last sixty years I remember "The Great Impersonation" which I read at the age of 15. Not a difficult read, yet it holds its reader until the last page. The intrigue and the characters all fit so well that I feel, though not a classic per se, it is a skillful story not to be ignored by any reader. In fact, I am buying a couple of copies for the newer generation so it can be enjoyed for years to come.
Edwardian drivelI will concede two things to this novel: The author had me fooled and despite a terrible opening, I wanted to know what happened, but this book doesn't know what it is: not quite a Victorian gothic romance, nor a geopolitical thriller, it was hardly at all informative on the historic events leading up to the Great War, and the baronet was essentially wooden, as if that was enough to fool the English and Germans around him that he was one man or the other. I do not mind reading for light entertainment, but there were too many highly improbable threads, not enough plot, nor full fledged characters facing real moral conflicts. It is worse than modern pulp fiction.
Pre WWI -spy thrillerTerrific book, exciting, suspenseful, and I couldn't tell that it was written at that time. I read a lot of vintage mysteries -- many are good, but obviously done in a style not suited to today's reader. This could easily have been written today, it is suspenseful without being overly melodramatic. I read it straight through, it was that exciting.
And it's free. I'm going to download a lot of his other books as well.
implausibleThe story concerns espionage just prior to World War 1. Dominey has led a dissolute life in Africa after possibly killing the unrequited suitor of his wife. He meets a vigoroous and vital German officer who had schooled with him in England and who physically resembles him. The German plots to kill him in the African bush and take his place, return to England, and rise through society to gain sensitive a political position for the upcoming conflict in Europe.
The implausible parts are many: That after only 10-11 years no one can more than barely suspect (voice, face, scars, mannerisms) that there may be an impersonation; that the vindictive mother of Dominey's wife's suitor would spend 10 years with the wife for the sole purpose of keeping her insane; and so on. To tell more would be a spoiler, but common sense rails against some parts of the plot line. During the entire story there are only two issues: 1)will the impersonation hold up? 2)who is the real "Dominey"? The answer to the first question is obvious, though I couldn't believe the impersonation. For the answer to the second, I was hoping for a marvelous ironic twist but it turned out to be almost obvious (note the expression "the mischief" used by Dominey).
This novel was made into a movie 3 times before 1940, and that is not surprising because it reminds me of one of the B-movie suspense melodramas that tickled the fancy of those days - with their stilted cardboard characters. Compared to other impersonation novels like, for example, A Tale of Two Cities with its social comments, etched characterizations, and great action, this novel pales. The concept of impersonation certainly was not original with Oppenheim. Even The Prince and The Pauper had more depth and meaning to it than this book.
The bottom line is this. I read this book because I heard it was one of his best, if not his best. I had read The Grassleyes Mystery and thought it was junk. I was disappointed even in this novel. I realize Oppenheim was popular in his day. Many other writers have had their day and then rightly faded into obscurity. There has to be a reason why my public library has only 3 of his novels and they are "in the storage basement" while Christie, Dickens, Hammett, Marsh, and even lesser writers are on the main book shelves. That does not mean that there are not great authors from the past who deserve to be read more today. In this regard, I would recommend any one of the wonderful detective mysteries of the less-than-prolific Anna Katherine Green.
His Best of Many Intermational Thrillers...
This is the best of the many novels - over 180 - mostly international spy thriller type novels - which E P Oppenheim wrote from the Edwardian era into the 1940s. British writer Oppenheim was wildly popular - as popular as James Patterson is today. The reading public could not get enough of his books. They are still very good yarns by the man who has been called "The Prince of Storytellers".
In "The Great Impersonation", Oppenheim's plot hinges around two very similar looking gentlemen, one from Britain and the other from Germany. To make matters more challenging, they happen to be related. The reader is kept in suspense. Is the one masquerading as the other in order to undermine the rival nation? Are these suspicions founded or groundless?
International intrigue is the game, and the twist has to do with the protagonist of the story. Then again, perhaps the protagonist is the antagonist? It is up to the reader to try to figure it out.
Of course there is romance! Oppenheim always includes romance. Imagine the poor woman the man comes home to--is she really welcoming her long lost husband, or is it the cousin / enemy / imposter? She has her doubts, as do we. And there are rather shady characters of all kinds to keep the mystery going!
This is a great story, as other reviewers have noted, about possible mistaken identity or shall we say identity theft. How contemporary and timely! Snap it up and read it.
The slapdash reader might want to compare this book with the great works of literature, and that would be a mistake. Although he was British, Oppenheim was NOT a Dickens or Austen; read them if you want that kind of a story. Oppenheim was, however, a good writer who treated his readers to a plot that unfolded deftly, set in sophisticated, glamorous locales. Yes, Oppenheim was a product of his era and nationality-and sometimes those prejudices show through, but knowing that, the reader can proceed without allowing them to become unpleasant intrusions.
This and the others of his books are good for reading on the porch or beach on a lazy day, on a plane or train trip, or if you want to read a chapter before bedtime and actually remember what you read the next day. The storylines are easy to follow, the people have enough characterization to give you a mental picture of them, and now, with the distance of time, the books evoke an entire era.
With the elegant settings and cultured, but idiosyncratic characters, one wonders why some enterprising Hollywood producer has not made a recent film of this book? It would benefit from a "Tea with Mussolini" type cast, score and camerawork. (It was filmed, in the early days of sound, but it deserves a blockbuster treatment).
One of the readers says it reminds one of Agatha Christie. As a matter of fact, as reported by Christie scholars, E P Oppenheim was Miss Christie's chief role model when she began writing.
A friend of F Scott Fitzgerald, P G Wodehouse, and many other luminaries, E P Oppenheim frequented Monte Carlo, in which several of his best tales are set. But no matter the setting, they were always peopled with crowned heads traveling incognito, dubious anarchists, world class financiers, powerful generals, cabaret dancers, card sharps and shady international beauties - all thrown together in cafe society intrigue that hints at the possibility that much of this is...about real people E P knew, thinly veiled as fiction.
Of course, that is exactly what it is!
A note to parents of teens-If your son or daughter has an interest in Harry Potter books you could dangle a few Oppenheims in their direction. They have all the thrills and there is no need to be concerned about gratuitous language or situations. These are just good stories well told.
If you read this one, and like it, find and read my personal favorite "The Prodigals of Monte Carlo" next. It is about a man who has everything, who is given only a few months to live by his Harley Street physician. He asks his three best friends, leaders in various professions, what they would do, given such a death sentence-and then acts on some of their suggestions. Intelligent indulgence and altruism meet in a story that has Oppenheim's usual mix of romance and intrigue.
If you find this review helpful, please take a look at some of my other reviews ranging from fiction, biography, history and religion to art and architecture. Happy reading!