|
Mail List:
|
|
|
|
|
Poll(Your favorite book):
|
|
|
|
|
|
|
|
Top
50 crime writers:
Raymond Chandler
|
|
|
|
|
Links |
|
| |
|
American
motion picture screen writer and author of detective fiction.
Chandler began writing stories for crime fiction magazine
Black Mask, which also published Dashiell Hammett's stories.
He is best known for his tough but honest private detective
Philip Marlowe, the name originating from English 1500th
century writer Christopher Marlowe, who had a violent temper.
As representative and master of hard-
|

|
boiled school of crime fiction, Chandler
criticized classical puzzle writers for their lack of realism.
His most famous target in much quoted essay The Simple Art of
Murder (1944) was A.A. Milne's The Red House Mystery.
"In
everything that can be called art there is a quality of redemption.
It may be pure tragedy, if it is high tragedy, and it may be pity
and irony, and it may be the raucous laughter of the strong man.
But down these mean streets a man must go who is not himself mean,
who is neither tarnished nor afraid. The detective in this kind
of story must be such a man." (from The Simple Art of Murder)
Raymond Chandler was born in Chicago, but he grew up in England
after the divorce of his parents. He attended Dulwich College
Preparatory School in London, and studied then also in France
and Germany. He worked as a teacher at Dulwich and a journalist
for the Daily Express and Western Gazette. Before returning to
the United States in 1912, Chandler published twenty-seven poems
and his first story, 'The Rose-Leaf Romance.' Back in America
he worked in St. Louis, then on a ranch, in a sporting goods firm,
and as a bookkeeper in a creamery. During the World War I he served
in the Canadian Army (1917-18) and was later transferred to the
Royal Air Force (1918-19). In 1924 he married 18-years older Pearl
Cecily Hurlburt, twice married and divorced. When she wed Chandler
she was fifty-three, but looked far younger and listed her age
as forty-three.
After the war Chandler worked in a bank in San
Francisco, wrote for the Daily Express, and become then a bookkeeper
and auditor for Dabney Oil Syndicate from 1922 to 1932. When Chandler
lost his job during the Great Depression - he was fired for drinking
and absenteeism - he began writing stories for Black Mask Magazine.
At the age of forty-five, with the support of his wife, Chandler
devoted himself entirely to writing. He prepared himself for his
first submission by carefully studying Erle Stanley Gardner and
other representatives of pulp fiction, and spent five months writing
his first story, Blackmailers Don't Shoot. It appeared in December
1933 in Black Mask, the foremost among magazines publishing in
the hard-boiled school.
"The
pebbled glass door pane is lettered in flaked black paint: 'Philip
Marlowe... Investigations.' It is a reasonably shabby door at
the end of a reasonably shabby corridor in the sort of building
that was new about the year the all-tile bathroom became the basis
of civilization. The door is locked, but next to it is another
door with the same legend which is not locked. Come on in - there
is nobody in here but me and a big bluebottle. But not if you're
from Manhattan, Kansas." (from The Little Sister, 1949)
Chandler was a slow writer. Between 1933 and 1939
he produced a total of nineteen pulp stories, eleven in Black
Mask, seven in Dime Detective, one in Detective Fiction Weekly.
Unlike most of his pulp-writing colleagues, Chandler tried to
expand the limits of the pulp formula to more ambitious and humane
direction. His fourth published story, Killer in the Rain, was
used in THE BIG SLEEP (1939), Chandler's first novel. The story
introduced Philip Marlowe, a 38-year-old P.I., a man of honor
and a modern day knight with a college education. In his role
as narrator, Marlowe moves through the criminal world and social
elite - which are sometimes the same - of Los Angeles in the 1930s,
helps General Sternwood, a paralyzed California millionaire from
heartbreak, by rescuing his daughter from a potentially embarrassing
blackmail scheme. The story ends in resigned contemplation: "What
did it matter where you lay once you were dead? In a dirty sump
of in a marble tower on top of a high hill? ... you were not bothered
by things like that. You just slept the big sleep, not caring
about the nastiness of how you died or where you fell..."
In FAREWELL, MY LOVELY (1940) Marlowe searches for an ex-convict
Moose Malloy a missing girl friend, Velma Valento. Velma is described
by Moose as "cute as lace pants," and during his investigation
Marlowe deals with Los Angeles' gambling circuit, a murder, and
three potentially deadly women.
His next novel, THE HIGH WINDOW (1942), Chandler
considered his worst. It was written at the same time as THE LADY
IN THE LAKE (1943), which Ross Macdonald included in his list
of favorites. Chandler's writing had already excited interest
in the film community, and for Double Indemnity (1944) Chandler
and the director Billy Wilder worked together. In 1946 Chandler
received Edgar Award from the Mystery Writers of America for screenplay,
and in 1954 for novel. When Warner Brothers was making The Big
Sleep (1946), Chandler discussed the story with the screenwriters,
Leigh Brackett and William Faulkner, director Howard Hawks, and
star Humphrey Bogart. He even wrote a new ending which was not
used.
"Everything
a writer learns about the art or craft of fiction takes just a
little away from his need or desire to write at all. In the end
he knows all the tricks and has nothing to say." (from 'Introduction'
to Pearls Are a Nuisanse, 1950)
THE LITTLE SISTER (1949), which included the author's opinions
about Hollywood, received negative reviews. The story opens in
the usual way: "'Is this Mr Marlowe, the detective?' It was
a small, rather hurried, little-girlish voice. I said it was Mr
Marlowe, the detective. 'How much you charge for your services,
Mr Marlowe?'" The sixth novel in the series, THE LONG GOODBYE
(1953), has been admired by many critics. Marlowe's long and complicated
investigation begins when he helps Terry Lennox, sitting drunk
in a Rolls-Royce Silver Wraith. Marlowe's willingness to forgive
in his own way his friends, who have betrayed him, differs completely
from the attitude of Mike Hammer, who is ready to kill and never
turns his other cheek. In the end Marlowe tells Terry: "You're
a very sweet guy in a lot of ways. I'm not judging you. I never
did. It is just that you're not here anymore. You're long gone.You've
got nice clothes and perfume and you're as elegant as a fifty-dollar
whore."
When his wife died in 1954 Chandler was devastated.
He sailed for England and met Jessica Tyndale, a banker, on board,
and they became close. PLAYBACK, Chandler's last finished novel,
appeared in 1958. In the story Marlowe renews his affair with
Linda Loring, who made her first appearance in The Long Goodbye.
During the writing process Helga Greene become Chandler's literary
agent. He and Helga Greene were induced by Ian Fleming to travel
to Capri, and to interview Lucky Luciano along the way in Naples.
Chandler essay 'My Friend Luco' was not published. In 1959 Helga
flew to California, and Chandler proposed her from his hospital
bed. Chandler died on March 26, 1959. His unfinished novel POODLE
SPRING was completed by Robert B. Parker, who has also written
a sequel to The Big Sleep, entitled PERCHANCE TO DREAM (1990).
In 1998 the playwright Tom Stoppard wrote a screenplay for Poodle
Springs, which was made into a television movie. Parker's doctoral
dissertation was The Violent Hero, Wilderness Heritage and Urban
Reality: A Study of the Private Eye in the Novels of Dashiell
Hammett, Raymond Chandler and Ross Macdonald (1970). Parker's
own Boston private eye Spenser combines Marlowe's knightly moral
code and Archer's social conscience.
|
|