Edmund
Crispin (Robert Bruce Montgomery)
(1921 - 1978)
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British
writer and composer, master of fast-paced, tongue-in-cheek mystery
novels, a blend of John Dickson Carr, Michael Innes, M.R. James,
and the Marx Brothers, as the critic Anthony Boucher once described.
Crispin's nine humorous Gervase Fen novels are among the most
individualistic works of the genre, making fun of literary conventions.
He was a product of the University of Oxford - Crispin's friend
during university years was Kingsley Amis.
"Crispin's
work is marked by a highly individual sense of light comedy, and
by a great flair for verbal deception rather in the Christie manner...
At his weakest he is flippant, at his best he is witty, but all
his work shows a high-spiritedness rare and welcome in the crime
story." (Julian Symons in Bloody Murder, 1985)
Edmund Crispin was born in Chesham Bois, Buckinghamshire, of Scots-Irish
parentage. He was educated at the Merchant Taylor's School in
London. Before World War II Crispin traveled around Europe, particularly
Germany. In 1943 Crispin received his B.A. from St. John's College,
Oxford, where read modern languages. From 1943 to 1945 he worked
as a schoolmaster at Schrewsbury School. His friend, the poet
and novelist Philip Larkin (1922-85), worked nearby and they read
each other's texts - Crispin also dedicated his third book, THE
MOVING TOYSHOP (1946), to Larkin. His first detective fiction
novel appeared in 1944, and introduced to readers his series character
Gervase Fen, a cynical Oxford professor. The figure was partly
based on the Oxford professor W.E. Moore.
During a nine year period (1944-1953)
Crispin published eight novels, establishing his reputation in
the field of mystery genre. In 1942 Crispin had read John Dickson
Carr's novel The Crooked Hinge, which altered his view about detective
stories and inspired him to create his own detective character.
THE CASE OF THE GILDED FLY was published by Gollancz while its
author was still an undergraduate. In his novels Crispin combined
farcical situations with literary references, coincidences with
nearly postmodern self-awereness, inappropriate behaviour and
sharp observations of the language of various classes and professions.
In The Moving Toyshop Crispin lets a truck driver preach "industrial
civilization is the curse of our age... We've lorst touch with
Nachur. We're all pallid... We'we lorst touch with the 'body.'"
Crispin's professional music career
started in mid-1940s. Since the age of fifteen Crispin had played
piano - in his youth he worked as an organist and choirmaster.
Crispin composed under his own name, Bruce Montgomery, choral
and orchestral works, songs, and film music, including several
scores for Carry On series. He built a bungalow in Devon, and
settled down to a quiet country life, collected classical records,
and took an interest in church matters. After his short story
collection, BEWARE OF THE TRAIN (1953), Crispin kept long silence
as a novelist, but turned his attention increasingly to writing
music. He became one of Britain's leading critics of detective
fiction, reviewing from 1967 regularly for the Sunday Times. Crispin
married late in life. In 1977 he published THE GLIMPSES OF THE
MOON, the last Gervase Fen story. By the early 1970s, Crispin's
drinking finally overwhelmed him and he started to have money
problems. Crispin died on September 15, 1978.
As a science-fiction anthologist
Crispin's work was unique in several ways. He was an early advocate
of science fiction and made no apologies or excuses for presenting
it as a legitimate form of writing - an attitute that was not
common in the 1950s, when science-fiction was not yet respectable
branch of literature. His selection of stories showed him to be
throroughly familiar with its currents in both magazine and book
form, and his introductions were informed and illuminating.