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crime writers:
Dorothy Sayers
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Dorothy Sayers
(1893
- 1957)
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British novelist, essayist, medieval
scholar and anthologist. Sayers is best-known for her stories
about the amateur aristocratic detective hero Lord Peter Wimsey,
who made his breakthrough in the novel WHOSE BODY? (1923),
wearing a top hat like Fred Astaire. After the late 1930s,
Sayers wrote no more detective novels, but concentrated on
theological dramas, radio plays and verse.
"Lord Peter's
library was one of the most delightful bachelor rooms in London.
Its scheme was black and primose; its walls were lined with
rare editions, and its chairs and Chesterfield sofa suggested
the embraces of the houris. In one corner stood a black baby-grand,
and wood fire leaped on a wide old-fashioned hearth, and the
Sevres vases on the chimney-piece were filled with ruddy and
gold chrysanthemums." (from Whose Body?)
Dorothy Sayers was born in Oxford as the daughter
of the Rev. Henry Sayers, the director of the Christchurch
Cathedral Choir School, and Helen Mary (Leigh) Sayers. She
was very gifted from the early age in languages, learning
Latin by the age of seven and French from her governess. In
1912 she won a scholarship to the Oxford women's college Somerville,
and in 1916 she published her first book, a verse collection
titled OP I.
In 1920 Sayers earned her M.A., among one
of the first group of women to be granted degrees from Oxford
University. She worked as a teacher in Yorkshire and in France,
and as a reader for an Oxford publishing house. During these
years Sayers went through a period she did not advertise much
later. She had an illegitimate son, who was brought up by
her cousin, Ivy Shrimpton. The father was Bill White, a motorcyclist
and car salesman. As a Catholic, Sayers rejected contraceptives,
which caused a problem with the Russian born-novelist John
Cournos. Letters from an unhappy love affair with him are
now housed at Harvad University. Although her cousin took
care of the child, Sayers followed closely his upbringing
and supplied funds for this purpose. In 1926 Sayers married
to the journalist, Captain Oswald Arthur Fleming. He was divorced
and had two children. He died in 1950.
Sayers' seven-year long job at Benson's advertising
agency in London began in 1922. Soon after joining the agency
she published the novel, Whose Body? in which Wimsey is the
major character. In the story Lord Peter solves the puzzle
of the body in the bath. Wimsey's prime criteria is to find
out how the murder was done. "Once you've got the How,
the Why drives it home," says the detective in BUSMAN'S
HONEYMOON (1937). Wimsey appeared in 11 novels and 21 stories.
In the beginning the young protagonist was a carefree war
hero, who has money, free time and who known the important
people. His professional companion is Charler Parker, who
balanced the fast thinking and impulsive Lord Peter with his
cautious and solid character. Wimsey developed gradually into
a man of conscience and moral responsibility, but humor prevailed
throughout the novel series.
--Lord Peter
drew a writing pad towards him.
--'What are you going to write? asked Parker, looking over
his shoulder with some amusement.
--Lord Peter wrote:
--'Isn't civilization wonderful?'
--He signed this simple message and slipped it into an envelope.
--'If you want to b immune from silly letters, Charlles.'
he said, 'don't carry your monomark in your hat.' (from Unnatural
Death, 1927)
In Busman's Honeymoon the monocled detective
marries Harriet Vane, a writer of mystery books, Sayers's
own alter ego. Vane was introduced in STRONG POISON (1930),
in which Lord Peter saves Harriet. She is accused of poisoning
the novelist Philip Boyes, with whom she had lived for almost
a year. The love interest started to build from HAVE HIS CARCASE
(1932). MURDER MUST ADVERTISE (1933) was full of observations
of manner and mocked the superficial world of conspicuous
consumption.
'How should anything be sacred to an advertiser?'
demanded Ingleby, helping himself to four lumps of sugar.
'We spend our whole time asking intimate questions of perfect
strangers and it naturally blunts our finer feelings. "Mother!
has yours Child Learnt Regular Habits?" "Are you
Troubled with Fullness after Eating?" "Are you satisfied
about your Drains?" ... Upon my soul, I sometimes wonder
why the long-suffering public doesn't rise up and slay us.'
(from Murder Must Advertise)
With such writers as G.K. Chesterton, Christie, and Fr. Ronald
Knox, Sayers founded the Detection Club in 1929. She purchased
a home at Withman in Essex, and from 1931 Sayers devoted herself
entirely to writing and preparing radio plays for the BBC.
After the appearance of Busman's Honeymoon Sayers turned from
mystery fiction to other genres. Her only detective novel
without Wimsey was THE DOCUMENT IN THE CASE (with Robert Eustace,
1930). She published also 11 short stories in which the commercial
traveller Montague Egg solved crimes, and wrote with members
of The Detection Club such composite novels as THE FLOATING
ADMIRAL (1931), ASK A POLICEMAN (1933), and DOUBLE DEATH (1939).
A devout Anglo-Catholic, Sayers was for many
years a friend of the Oxford writers known as the Inklings.
In THE MIND OF THE MAKER Sayers tried to explain the Trinitarian
nature of God, the Divine Creator, by analogy with the three-fold
activity of the creative artist - involving idea, energy,
and power. With few exceptions her plays were religious dramas,
among them THE ZEAL OF THY HOUSE (1937), set in the twelfth
century and based on an incident that had occurred during
the burning and rebuilding of the choir at Canterbury, and
THE DEVIL TO PAY (1939).
In 1950 Sayers was awarded a Litt.D. by the
University of Durham. Her last major work was translation
of Dante's Divine Comedy. The result was a fast-paced text,
in Victorian style verse, which takes many liberties with
the original. The work was finished by Barbara Reynolds after
Sayers's death on December 17, 1957 from a heart failure.
Sayers put aside her 13th full-length Lord
Peter novel in 1938. The book appeared in 1998 under the title
THRONES, DOMINATIONS, finished by Jill Paton Walsh. In the
story two beautiful young women, involved with a theatrical
producer, are murdered. There's also a subplot involving the
soon-to-abdicate King Edward VII.
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